Ultimate grumpy traditionalist Nicolas Cage film “The Surfer” officially wraps!

I’ve been thinking about Dirk Ziff’s wife Natasha, this morning. Not in any sort of bad way, or even uncomfortable, just remembering when the co-Waterperson of the Year said, “Surfing has always been about Bustin’ Down the Door — always about experimentation, leadership, individuality and innovation, both in athletic progression and culturally. And this is how we want to be, and will always strive to be, at the WSL: innovative and always pushing forward. The surfers, past and present and future, are our guides — the surfing greats have never been grumpy traditionalists, but tough innovators.”

Remember that? It was five years ago, now, so you’d be forgiven for forgetting but I ponder that last “the surfing greats have never been grumpy traditionalists, but tough innovators” often.

Is that actually true?

Well, while you’re thinking, according to Variety, filming has wrapped on The Surfer, a Nicolas Cage vehicle shot entirely in Yallingup. The picture tells the story of:

When a man returns to Australia to buy back his family home after many years in the U.S., he is humiliated in front of his teenage son by a group of local surfers who claim ownership over the secluded beach of his childhood. Wounded, he defies them and remains at the beach, demanding acceptance. As the conflict escalates he is brought to the edge of his sanity and his identity is thrown into question.

Back to Ziff’s axiom, Cage seems like a grumpy traditionalist. The group of local surfers certainly seem like grumpy traditionalists. The whole movie, in fact, appears to revolve around the very idea of grumpy traditionalism. They all sort of seem sort of great too, in their own way.

Was she wrong?

More as the story develops.

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